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Irish Art - every significant Irish art gallery selling Irish art - North and South.

Buy art for pleasure and investment. Free membership allows Collectors to track favourite Irish artists and be e-mailed as soon as galleries upload new images. We do not sell art direct - nor can artists sell direct from this site. Irish artists can, however, use us freely to upload their work and seek representation from Irish art galleries. As art galleries can update their artist's information at any time their entry is as up-to-date as they require.

IrishArt.com represents the best of Irish art galleries and Irish artists. Should you know of an Irish art gallery that should be on IrishArt.com, please
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Click image to view some top commercial Irish art galleries

Gormley's Fine Art DublinClick for website

  • Oisin Gallery

    Oisin GalleryClick for website

  • Hillsboro Fine Art

    Hillsboro Fine ArtClick for website

  • Gormley's Fine Art Belfast

    Gormley's Fine Art BelfastClick for website

  • Kerlin Gallery

    Kerlin GalleryClick for website

  • Jorgensen Fine Art

    Jorgensen Fine ArtClick for website

  • Cross Gallery

    Cross GalleryClick for website

  • Tom Caldwell Gallery

    Tom Caldwell GalleryClick for website

  • Mullan Gallery

    Mullan GalleryClick for website

  • Oriel Gallery

    Oriel GalleryClick for website

  • Coloured Rain Gallery

    Coloured Rain GalleryClick for website

  • Oliver Sears Gallery

    Oliver Sears GalleryClick for website

  • Green Lane Gallery

    Green Lane GalleryClick for website

  • Golden Thread Gallery

    Golden Thread GalleryClick for website

  • Gormley's Fine Art Dublin

    Gormley's Fine Art DublinClick for website

  • Catherine Hammond Gallery

    Catherine Hammond GalleryClick for website

  • Eakin Gallery

    Eakin GalleryClick for website

  • Dickon Hall Gallery

    Dickon Hall GalleryClick for website

  • Green on Red Gallery

    Green on Red GalleryClick for website

  • Solomon

    SolomonClick for website

  • Peppercanister Gallery

    Peppercanister GalleryClick for website

RHA Annual Exhibition - Dublin

2012 RHA Gallery - 29 May -- 18th Aug 2012

2 Ely Place, Dublin 2
Website  |  Email
 
May 2012 - The RHA Annual Exhibition is the longest running open submission exhibition in Ireland. With over half the worksselected through an open submission process, it offers an unparalleled chance to view work by emerging artists hanging side by side with established artists and RHA Members. The majority of work will be for sale and is an excellent opportunity for discerning collectors. This year the Annual Exhibition will include work by Alice Maher, Mick O’Dea Stephen McKenna Una Sealy, Pauline Bewick, Carey Clarke, Martin Gale, James Hanley, Stephanie Rowe, among many others. There are to date 16 artists’ prizes contributing to a prize fund of over €50,000. Prizes this year include the Hennessy Craig Scholarship of €10,000 awarded to a painter under the age of 35, The Ireland – US Council and Irish Arts Review Portraiture Award of €5000, the AXA Insurance Prize for Drawing of €5000, and the RHA Conor Fallon Sculpture Award sponsored by Gormleys Fine Art of €3000.


Lisa Ballard - Solo Exhibition

Mullan Gallery - Belfast - 17th May - 7th June 2012

239 Lisburn Road, Belfast +44 (0) 2890202434
Website  |  Email
 
May 2012 - 'I am drawn to the temporal in landscape - the constantly changing light, the seasons, waiting for a grey sky to clear or the fleeting light of dawn and twilight. I try to capture how it is to be in that moment and place. I am obsessed with colour and light - the juxtaposition of colours, how colours affect and influence one another. I use the landscape around me to explore this, looking to colourful tree blossom, twilight skies, and dark storms with light breaking through. I look through the landscape, simplifying the image, exploring the negative space, searching for what I can use. I often lean towards abstraction, but try to hold on to figurative elements. The practice and the process of actually making the painting is important to me. I love to use painterly brush marks. I put down a colour and respond to it, layer by layer. Incorporating washes, flat spray paint and scratches to allow the painting to evolve - always struggling to find balance in the finished work". Lisa Ballard

Eileen Meagher - Solo Show

Gormleys Fine Art - Dublin - 24th May - 7th Jun 2012

25 South Frederick St, Dublin 2, Tel: +353 (0) 1 6729031
Website  |  Email
 
Mar 2012 - Eileen Meagher depicts a rural Ireland, a perspective of the west of Ireland, which emulates nature and it remoteness, emphasising the solitude of the west of Ireland.
Her landscapes depict the remaining remnants of an untouched land devoid of urbanisation. It is difficult to consider paintings of the west of Ireland without recalling the work of Paul Henry; Eileen Meagher’s work draws similarities in that she depicts that quintessential Irish landscape rather than a region of distinct local character. Although Eileen Meagher ‘s work often recalls a place in name, areas from the Connemara region such as Clifden or Maam Valley, her style of painting contains a distinct personal signature. The prominence of the sky in her work is offset by the rugged marks of the mountainous horizon, characteristics that lend her paintings this distinct style. Eileen Meagher’s painting offers us an iconography of the west of Ireland.

Jonny McEwen - "At Home"

Tom Caldwell Gallery - Belfast - 24th Apr - 24th May 2012

429 Lisburn Road, Belfast Tel: +44 028 9066 1890
Website  |  Email
 
Apr 2012 - Caldwell's are currently running a series of exhibitions called “AT HOME” - various artists have set up their studios in the gallery - now Jonny McEwen rises to the challenge, You will see current work and older works (at older prices) and you can see McEwen working at his easel - please call the gallery to confirm times if you want to see McEwen at work. We are told he is relishing the opportunity and sees his studio as an “installation” within the gallery.
This show runs concurrently with the installation of what must be one of the largest pieces of public art in Northern Ireland. The Skainos building on East Belfast’s Lower Newtownards Rd will be clad in 44 x 4 metres high metal panels individually created by McEwen. He worked for several months on the Isle of White in a specialist workshop applying the images to the metal panels using enamel paint which was then fired in a furnace to fix the material making the images an integral part of the metal plates. Opens 24th April.

Click the name to see what some of the top Public Galleries are showing

National Gallery - DublinClick for website

  • Dublin City Gallery

    Dublin City GalleryClick for website

  • Irish Museum of Modern Art

    Irish Museum of Modern ArtClick for website

  • National Gallery - Dublin

    National Gallery - DublinClick for website

  • Crawford Art Gallery

    Crawford Art GalleryClick for website

  • Ulster Museum & Art Gallery

    Ulster Museum & Art GalleryClick for website

  • Ormeau Baths Gallery OBG

    Ormeau Baths Gallery OBGClick for website

  • RHA Royal Hibernian Academy

    RHA Royal Hibernian AcademyClick for website

  • Gallery of Photography

    Gallery of PhotographyClick for website

  • Chester Beatty

    Chester BeattyClick for website

  • National Museum of Ireland

    National Museum of IrelandClick for website

   
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"The first man to compare the cheeks of a young woman to a rose was obviously a poet; the first to repeat it was possibly an idiot."


Why Invest In Irish Art

Over the last few years the Irish art market grew faster than almost any other international art market worldwide. "Each year saw unprecedented records smashing those of the previous year," wrote David Britton in the Irish Arts Review. Forbes - the key magazine for the world's top entrepreneurs - commented that "since 1990, 20th-century Irish art, Dutch Old Masters and English sporting pictures have been the art market's three fastest-rising sectors - with the Irish climbing the most steeply." Those days have changed - but despite the fall in the value of second-rate art, good Irish art continues to hold its own - supported by collectors who understand the cyclical nature of the art market.

 

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